Essential Film Holder

for Camera Scanning

 

 

 

Click HERE to

Buy NOW

Let’s face it

 

Using a Digital Camera to digitize your analogue film makes sense.

 

With a decent resolution digital camera, converting a film negative into a 20 Megapixel image sounds great.

Converting a film frame into a 50 Megapixel image is like a dream come true!  Heck, that’s in drum scanning territory!

 

If you are reading this, you’ll know the score... AND you’ll want the results without having to spend a fortune!!

 

 

The Challenge...Holding the negative flat

 

It’s the biggest challenge to overcome. ‘THE’  biggest.

 

With a flat negative, it is entirely possible to create a digital image of your film frame that nears the limits of your camera.

 

Flat negative = low distortion = great digital file.

 

 

However...

...the available solutions are all over-engineered and either very expensive or very slow in use.

 

...OR they need clamps, bends, clips or pegs that can easily scratch and damage your negatives!

 

 

 

The Essential Film Holder range sorts that problem in a flash!

 

 

Essential

 

 

adjective

Constituting the fundamental nature of something

vitally important; absolutely necessary; indispensable; basic;

 

 

Call it the EFH range, it’s snappier (no pun intended).

 

“Essential” because the design tackles the essential challenges and delivers a solution to the fundamentals of the problem. 

 

I’m an engineer and techie at heart and I came up with the idea and design for the EFH range after getting fed up with average quality scans from my Epson v600.

 

I was fed-up with the Epson giving me barely passable scans in an inordinate amount of time. I was finding that a quick scan on a 15-shot roll of 120 film of 6x4.5 frames could easily take me an entire morning. A 36-shot 35mm roll could take a day.

 

I’d just come back from a photo tour of Cuba with 8 rolls of 35mm film. After happily developing the films at home, scanning was something I put off for many weeks!

 

Added to the pile of woe was the fact that I had 5 rolls of 6x4.5 film to scan and a roll from my 6x6 pinhole.

 

Looking around, I found there were some solutions to enable DSLR scanning but the £1,000+ die-cast metal solutions seemed beautifully engineered but an entirely crazy option for an amateur photographer (or even a professional one!) that simply just did not pass my “sanity check”!

 

Surely there had to be a better way!

 

So whilst pondering my options, I looked at the possibilities and challenges ahead for using my Nikon D850 to zap the films into the digital domain.

 

And I wanted to minimise the costs and outlay by making use of things that I had lurking around amongst my photo kit.
I had a sturdy tripod and a set of extension tubes, a prime lens or two and I already had a 7” Android Tablet and a small 8x6” LED light panel. All of those would come in pretty handy.

 

After a couple of weeks of head scratching, drawing, cutting out bits of paper, re-doing CAD drawings galore, my first prototype of the Essential Film Holder was back from the fabricators and the EFH was born.

 

And the design has not changed significantly since then...it’s evolved a little and now “v3” is the standard design.

 

 

Introduction to the EFH v3

 

There are several parts to the EFH.

 

From the base upwards...

 

1. Professional Grade Diffuser

 

2. 120 Layers, consisting of a base, a guide layer and a top

 

3. 35mm Layers, consisting of a base, a guide layer and a top

 

All parts mount on 4 corner posts (made from non-scratch nylon) and are held in place with nylon nuts.

 

Amateur Photographer Magazine, Aug 29th, 2020

(Click for full review)

 

120 Layer Masks View

 

 

 

35mm Layer Masks View

 

 

 

 

Using Your EFH

 

It’s simple. Your EFH is delivered fully assembled ready for action! It’s been hand assembled and 100% film tested.

 

The EFH sits directly on, or over, your light source. This could be anything that emits a white light, such as a tablet, iPad or LED light panel.

 

At a size of 180 x 110mm the EFH is perfectly sized to sit on top of an A6 LED light panel or an iPad Mini, or even an Samsung Android Tablet or similar.

 

Here is an EFH placed above a low-cost, high quality Raleno104 LED panel.

 

Above the EFH, you align your camera. If you have a macro/micro lens, that’s great. If not, then an extension tube works fine.

 

Your film then passes through the EFH dual layers.

 

You can just as easily use the EFH with cut film strips or entire rolls.

 

Here’s an EFH in 120 configuration with an entire roll of 120 film being digitized.

 

 

You then (manually, by hand) move the film to align with the aperture in the EFH, and with backlight switched on, you take the shot.

 

Simply hold the film by the edges and gently move the film so the next frame is within the aperture.

 

It takes very little force to move the negatives thanks to the low-friction guide layer in the “v3” design.

 

 

On to the next frame ...and the next... Reposition the film within the aperture without moving the EFH (nor your camera) and take the next shot.

 

Repeat until your roll is completed.

 

After you’ve gone through a roll or two, you’ll be able to digitize a 36-shot, 35mm film within 5-6 minutes or less.

 

 

 

The “v3” design – a new standard

 

Previous EFH versions did a fine job at keeping your negatives flat.

 

However, the new “v3” design keeps your negatives incredibly flat and perfectly positioned in the mask aperture!

 

In the “v3” design (now the standard EFH specification), the 35mm and 120 film format layers are separated with a thin 0.5mm ‘guide layer’ to allow the film to move in a very controlled manner, without scratching.

 

That gap of 0.5mm has been carefully chosen to accommodate all film stocks.

 

Whereas in earlier EFH version, that gap was created by 0.5mm spacers, in the latest “v3” design it’s created by specially designed ‘guide layers’, precision laser cut in Acetal engineering plastics, known for its low friction coefficient and its ultimate hardness and longevity.

 

This creates a guide for the negatives and, at the same time, ensure the perfect movement channel of height 0.5mm.

 

There’s one ‘guide layer’ for the 35mm masks and one for the 120 format masks.

 

 

 

 

Here’s a few things that make the EFH so special

 

·         Multiple film formats fully supported in one design
120 and 35mm, of course.
Full frame 35mm, 6x4.5, 6x6, 6x7 and 6x9 too.

·         Perfectly flat negatives
Right across the frame, the negative remains flat, giving your camera the best possibility of getting a high resolution digitization image. No flattening glass is used, so no fringing and no ‘Newton Rings’.

·         Consistent positioning
The ‘guide layers’ make it SO easy to obtain consistent relative positioning to lessen the pain in post processing of your images.

·         Perfectly diffused backlight every time
The included professional grade diffuser uses a specially selected materials to create an even back light, thus avoiding hot-spots on your image that are so easy to obtain (and so difficult to avoid) with old-school, cheap, non-optical quality diffusers.

·         Super-quick setup
The design facilitates super-fast setup of the film holder, so you’ll spend more time digitizing than aligning!

·         FAST!
Compared to my Epson v600, we’re talking lightning fast! Digitize a 36-shot roll of 35mm in well under 5-6 minutes!!

·         User-adjustable configuration
The EFH range offers the user a number of different build configurations to facilitate a variety of usage modes... different backlights, different backlight-to-diffuser distances and variations of film-to-diffuser distances.
You can experiment to get the best results for your equipment.

 

And above all...

 

·         Highly affordable
A small fraction of the price of other high-end solutions!

 

 

 

Sample Images

 

OK, so we all know that sample images are largely pointless – it’s down to how you capture, digitize and post process the images once converted from negative.

 

Nevertheless, here’s a few film images that I’ve recently “scanned” with the aid of the Essential Film Holder.

 

For this update of the webpage, I’ve included larger images to better demonstrate the detail that the EFH unlocks in your negatives.

 

(More images can be seen on my Instagram page, link below)

 

 

35mm

 

Nikon

F100

 

 

 

 

 

 

 

 

 

 

 

 

 

120

 

645

 

Bronica

ETRSi

 

 

 

 

 

120

 

6x6

 

Pinhole

 

 

 

 

 

 

 

120

 

6x9

 

Fuji

GW690

 

 

 

 

 

 

Now, Let’s talk about price

 

Think about the “other solutions” for a moment.

 

Solution A – The Do-It-Yourself options

 

You could create your own “jig” from a cardboard box. There are even simple examples and templates on the web for doing this.

Very cheap, but little stability, little repeatability, zero reliability... but fun if you want to play!

 

One small step from cardboard are numerous “homebrew” solutions – often in the form of a £40 kit of plastic toy parts from a low-budget Kickstarter project.  

The fact you are here says that you know better than that!  I always hated Airfix models too!

 

So, if the DIY approach is for you, then you’d probably not be reading this!

 

You could, of course, 3-D print some solution or fabricate your own – that’s OK for certain types who have the equipment, knowledge and skill to construct their own... I’m not one of these people, I’m afraid. I like to use a tried-and-tested, proven solution!

 

Solution B – Film Scanner

 

You could use a film scanner. This is probably where we all started. I have an Epson v600 scanner that gives ‘ok’ results for 120 formats and just about ‘good enough’ results for 35mm. But it’s a very slow process and there’s a lot of effort needed to tweak the scans of each negative and film type. Price, around £170

 

Solution C – An All-Metal Frame

You could use an all-metal flat frame that would hold your negatives perfectly well.

The Skier Film Holder does that. So does the Kaiser FilmCopy.

They are just film holders.  They hold your film. For £300 or more.

 

The Kaiser FilmCopy plus all its (additional cost) film format masks, without light panel, adds up to £300 or more.

 

The “Skier Sunray Copy Box II” adds a backlight and very basic low-grade diffuser... however, that’s £330+ if you include Taiwan shipping and unavoidable VAT and import duties. And it gets almost fire-hazard hot after scanning just a few frames!!

 

Solution D – The Most Expensive

 

You could go the “whole hog” and get yourself the most expensive holder available from Negative Supply.

Their holders are truly beautifully designed, built like tanks, and will last a lifetime, probably.

They include hinged trays, wind-on mechanisms, curved entry and exit channels and dust brushes...awesome!

The Mk2 for 120 film might easily cost you up to £650.

The separate 35mm model another £450.

That’s well over £1,100  to cover both formats!

And you still need a backlight and a means of aligning everything.

 

 

...And THE Best Solution - the Essential Film Holder (EFH)

 

The EFH comes in THREE basic variants.

 

·                EFH-01 for 35mm only

·                EFH-02 for 120 only

·                EFH-09-KIT for both 35mm and 120

 

Rather unsurprisingly, the EFH-09-KIT is proving to be the most popular by far.

 

Simply select the version you want...

 

 

 

 

 

 

All EFH units now incorporate the latest “v3” design

 

Essential Film Holder for Camera Scanning

 

 


EFH-01


EFH-02


EFH-09-KIT

 

 

 

Supports 35mm

 

 

 

 

 

 

 

 

Supports 120 formats

6x4.5, 6x6, 6x7, 6x9

 

 

 

 

 

 

 

 

High Quality Diffuser

 

 

 

 

 

 

 

 

Laser-cut ‘Guide Layer’  for spacing and accuracy

 

 

 

 

 

 

 

Hand Assembled and

100% Film Tested

 

 

 

 

 

 

 

Price

 

 

£73

 

£73

 

£90

 

 

 

Includes FREE
Worldwide Shipping

 

 

 

 


By purchasing, you agree to be added to my mailing list. You can remove yourself from that list at any time you wish.

 

 

 

NOTES:

1. After purchase you will have the option to add other masks to your order – including 35mm slide mask and XPAN masks.

2. If you buy EFH-01 or EFH-02 and then subsequently want to scan another format, then other masks can always be added, as appropriate, at any time, for 35mm or 120 formats.

3. With “v3” now shipping as standard, masks for 35mm Sprockets and 120 Borders are now ‘Special Order’ and available on request only.

(See below)

 

 

Not ready to buy yet? Yes, of course, there’s a Mailing List

 

Click HERE to sign-up to my mailing list. Purchasers are added to this list too.

I’ll tell you when things are happening. Could be Tips&Tricks, new items, new variants, who knows, maybe even some occasional offers.

 

 

Materials Used

 

Some people like to know. So here are the details.

 

The film carriers, posts, spacers, nuts and pillars are all made of quality engineering plastics.

 

ZERO metal used throughout the designs. No scratches, no damage to your light box nor to your tablet.

Most importantly, no scratches to your negatives.

 

The materials used for the layers of the EFH have been carefully selected and are made from precision, lazer-cut Polymethyl Methacrylate. In some regions that’s what’s better known as Perspex or more generally as acrylic.

 

More specifically, the EFH uses only ‘cast acrylic’ for it’s flatness and resistance to warping over time.

 

Acrylic is tough, has very good scratch-resistant properties and is unlikely to get dented or knocked. It’s strong, tough and lightweight.

 

For the film-carrier layers, the acrylic is soft-touch matt black, known for it’s non-reflective performance.

 

The new “v3” ‘guide layers’ are made from high-hardness, low-friction Acetal to ensure perfect alignments of your negatives every time. It’s a low friction and ultra-hard material so it will not degrade with use.

 

The diffuser layer is even more special. Again cast acrylic, but this is Perspex SPECTRUM OPAL 1TL2 material, which is optimised for white light, and for consistency of light transmission across the entire sheet. The 1TL2 grade transmits 51% of light across the entire spectrum, from below 380nm to above 790nm - that’s the entire visible light range for humans.

That’s what you need for top-performing scanning products.

 

 

Who Am I?

 

I guess I should tell you a bit about me.

 

I’m Andrew Clifforth. 

 

Degree in Electronic Engineering, various roles in various companies including as CEO of two FTSE-100 consumer electronics companies.

 

Then started-up my own business from scratch – sold that one. Then started another company that designs, manufactures and sells high-end computer audio products for home and studio use.

 

It’s inconceivable that most people (especially in the UK) do not use at least one of my products on a daily basis. There are currently 87+ million products out there that have been designed or managed by me, from traffic light systems through to the broadband that’s bringing you this data, to the communications technology designs in your computer, to the streaming TV services that feed our TV and film habit.

You could say that I understand volume consumer product development and sales!

 

Am currently a non-exec director for a 360-degree camera company in Scotland, and Investor Director with an angel investment group in Edinburgh.

 

I’ve been a (mad-keen) photographer for 40+ years; and have won a couple of global awards here and there.

 

There’s still nothing like the excitement of film photography, be it with a home-made 6x6 pinhole, a Holga, a Bronica ETRSi, a 6x9 Fuji GW690, or with my trusty Nikon F100.

 

I used to run some workshops and walks on behalf of (/for) a well known professional photographer in the Midlands, including a couple of Medium Format Film Workshop Walks. Those were always fun!

 

Oh, and I shoot digital too with a Nikon D850 – which is currently being used to digitize negatives at 46 Mega Pixels.

 

 

FAQ

 

How long will it take for my EFH to arrive?

The aim is to dispatch all orders within 15 working days. In practice, it might be a few days longer than that, but it could equally be shorter.

 

What’s the shipping time?

Dispatch will normally take place within around 15 working of days of your purchase. You’ll get a courier’s tracking number when your unit dispatches.

Shipping times within the UK should be 3-5 days. Europe 6-8 days. Australia and USA could be 12+ days...but these are typical times, not guaranteed, I’m afraid.

All shipments will originate from here in England.

 

Where is the EFH manufactured?

Designed and manufactured in England.

 

Each unit is hand assembled and then 100% film tested, with 35mm film and 120 film as appropriate. Then it’s placed into a pure cotton storage bag for security, wrapped in eco-friendly protection paper before being caringly packed into its cardboard box ready for dispatch processing.

 

Is this a kit of bits that I have to assemble?

No, the EFH comes ready assembled in the configuration that I think gives the best results.

By the nature of its design, you will have the option to adjust the positioning of the various layers of the EFH to best suit your ideas of quality and to suit your workflow.

Once it’s set up (or left as delivered) it’s extremely fast to set up, meaning that you don’t need to fiddle with it each time you want to scan another batch of negatives.

 

But surely the £1,000 all metal solution has to be better?

Yes, of course. That metal one is a piece of art and works extremely well. However, does it work 100 times better than EFH??

Only you can judge, but I struggle to think it could, and that’s part of the reasoning why the EFH came into being.

 

Do I need a special light source?

Yes and no. Yes, because the quality of the light makes a difference to the image that you can capture. No because that difference is probably only for the few. In my experience a basic LED light panel can be good enough, if the light it produces is fundamentally “full spectrum” across the great majority of the visible spectrum. A small (8” x 6”), £10 LED panel from Amazon is a perfect choice for many users.

 

Can I use my Android Tablet, iPad or iPhone as the light source?

Yes. At a pinch. Create a blank white image and display it at maximum brightness and you will get decent results.

Actually, more recent iPads (Retina display) give a remarkably good, even light; even the ‘iPad mini’.

Samsung Tablet devices are pretty good too (I occasionally use a little 7.0” Tab A).

 

Is it essential to have a macro lens?

Not really. If you have one, then that’s great. A 60mm macro lens is idea, as is a 105mm macro lens. However, it’s not essential at all. Read on...

 

How to select extension tubes to fit to my lens?

An extension tube is just that. It increases the lens to camera/sensor distance, thereby giving you a magnification.

Generally sold in sets of three that can be used in any combination, giving 6 extension distances, usually from 10mm up to 80mm.

They come in cheap, no-lens, no-electronic version – they are fine. They also come in more advanced (and expensive) versions to allow for an auto-focus capability.

 

I use a DX/Crop camera – can I still do this?

Sure. You’ll get a “closer” image, magnified by the crop factor (typically around 1.5x). You’ll still be able to use your extension tubes in the same way.

 

I only have a zoom lens – will that be OK?

Well, the “experts” will tell you that a zoom lens is not good for close-up work.  It’s certainly more difficult to use.

However, that should not put you off. Give it a go, and you might just be pleasantly surprised. Set it at 50, 60, 100mm, or thereabouts, and get those extension tubes out.

 

My lens is auto-focus – is that OK?

Yes. However, to use auto-focus, you will need a more elaborate set of extension tubes – ones with electrical contacts to allow the lens to continue to talk to the camera body.

 

My lens is manual focus – is that OK?

Yes. Personally, I prefer manual lenses for digitizing film. Why? Because once you are focussed on the film substrate, you can simply leave it alone, without fear of the camera wanting to continually re-focus for each frame.

 

Will I need a wide aperture – there’s not much light around?

No! Your camera, lens and the EFH (and therefore your negatives) are all held perfectly still. So there’s no need to worry if your shutter speed gets a little long. Typically with a cheap LED light panel and f/8 on my lens, I’d expect a shutter speed of around ½ second at most. Use either a cable release, or your camera’s self timer (set to a couple of seconds) and you’ll get perfectly sharp images.

 

Isn’t Camera alignment crucial? How do I do this?

Yes, it is crucial. Your camera’s sensor needs to be as parallel to the film frame as is humanly possible. And central too. However, if you ditch all the so-called “expert” fancy solutions for this, it’s easy. Really easy. Using a simple procedure, you can get to within 1 or 2 degrees and within less than a millimetre of centralisation. I’ll mail your a full “how to” guide after your EFH order is processed.

 

Do I need a dark room for process these shots?

No. However, any stray light will mess up the capture. If you are in, for example, an office environment, close your curtains, switch off room lighting and you’re set to go. If you have a large lightbox/source, you ay want to mask off the areas beyond the area of the EFH, again to avoid stray light. You’re trying to get ALL light coming through the diffuser layer, not around it.

 

Surely dust is an issue?

It can be. I suggest using a Rocket-style air blower across your negative before pressing the shutter if you are concerned about dust. A quick wipe around the work area with a damp duster, 30 minutes before you get your negatives out, usually minimises the dust on nearby surfaces.

 

Do I need to use a piece of glass to keep the negatives flat?

No! There is no need for glass to be used at all. No fringing, no ‘Newton Rings’ and no sharp edges to handle. The entire film holder is metal-free, so no scratching your negatives or your light panel (or iPad)!

 

Is the Essential Film Holder Recyclable?

In this day and age, we all need to be aware of what we are doing to the planet.

 

Whilst the EFH is made from high quality Acrylic, it IS a plastic.

 

However, I have been very careful to select and use only plastics that can be 100% recycled.

 

Not only that, but the Acrylic from manufacturers Perspex is made in a reduced carbon footprint, heat recovery, infrared-lit  facility in the UK, and the manufacturing process uses, today, some 50% less water than it did 5 years ago.

 

And, many years from now, when your EFH is at its “End of Life”, you can be assured that it can be efficiently and fully recycled back to raw materials to be used again.

 

Even our packaging, wrapping and boxes are environmentally friendly.

 

How do I convert my negative images into positive images?

There are plenty of different methods for inverting negatives in Lightroom or Photoshop (or in many other image editing packages).

 

My recommendation is to use a Lightroom plugin called “Negative Lab Pro”.

 

I’ve no affiliation with the software, it’s just what I personally use and have grown very confident in its ability to create inverted images that I like. All of the sample images on this page are converted using Negative Lab Pro.

 

Can I scan mounted film slides as well as negatives?

Yes, of course.

 

Positive slide film is no more difficult to scan with your DSLR than a film negative. The subsequent conversion to a JPG file is just as simple and the final result should be spectacular!

 

Once you complete your main EFH purchase, you will be given the opportunity to add 35mm Slide Masks to your pack – these make it very straight-forward to scan slides.

 

 

I’m a fan of Hasselblad XPAN cameras, can I scan the wide-format negatives too?

Yes, you can.

 

There’s even a specific mask set for XPAN and Lomo Horizon cameras that produce negatives of the size 24 x 65mm.

 

As above, just complete your purchase and then select the additional masks that you require.

 

What about Sprockets and Borders?

Yes, of course the EFH supports these. 

 

The “standard” EFH unit ships with the guide-layer system for borderless digitization.

 

Sprockets and Borders are supported by “special order” mask-sets and you can chose to have these as either the main build for your EFH unit OR you can purchase them as extra masks to give you both “with borders” and “borderless” options for your digitizations.

 

If you are interested in these masks, I would highly recommend you ADD these as extras to your order so that you are sure of being able to get great results right from the moment you open your EFH pack.

 

With both the 35mm and 120 “Borders Masks”,  there are some specific usage guidelines for both of these. These are very simple to follow and details are included with your masks.

 

You need, perhaps, better control of your scanning environment – sprockets will collect light and inject it into your frame and the 120 sizes can mean that even the slightest bit of stray light may cause you issues.

 

With that caveat, you can get great results from the Sprockets and Borders versions (or masks) for the EFH, as many users have already found.

 

 

To Order Sprockets and Borders Masks for your EFH

If you want either (or both) 35mm Sprockets masks or 120 Borders masks, please order your EFH as normal and then email me after your purchase.

 

I will then be able to help you to either adjust the specification of your order or to guide you to purchase the additional masks you want.

 

 

35mm Sprockets masks for the EFH

 

35mm Frames with Sprockets

 

120 frame with Borders

 

 

 

The Essential Film Holder started as my “lockdown project” and has now shipped nearly 3,000 units to film enthusiasts in over 29 countries around the globe.

 

Back in March 2020, I popped a simple post onto Facebook about the then unnamed EFH and had 19 people clambering to have one of their own.

Those were the “A”-prototypes. The EFH took off from there.

 

Note that as time goes on, I’m making continuous improvements to the design, so things might, from time-to-time, change a little.

 

 

All information on this page and relating to the EFH is  © Andrew Clifforth, 2020

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